PROVANTAGEPlan
Menu
Plan an event

Knowledge Centre

Cardioid vs Supercardioid vs Hypercardioid Microphones

Publication record / By PROVANTAGE / Published 2026-09-07 / Updated 2026-09-07

Understand pickup width, rear lobes, frequency-dependent directionality and monitor placement for live-event microphones.

Editorial principle

A narrower polar pattern changes the rejection zones as well as the pickup width. Selection and monitor placement must follow the actual pattern.

PROVANTAGE / Production Notes 05

A narrower pattern changes the rejection zones, not just the pickup width.

Cardioid, supercardioid and hypercardioid describe directional response around a microphone. The pattern must be read with frequency, monitor position and off-axis sound in mind.

The selection principle

START WITH
THE APPLICATION.

Aim the microphone toward the source and place unwanted sound in the microphone's useful rejection zones. Do not assume the rear of every directional microphone is its quietest point.

Equipment follows the production decision.

Five-question selection check

01

Source width

Does one person, a moving performer or a wider group need to remain on-axis?

02

Monitor position

Where can wedges sit relative to the pattern's least-sensitive angles?

03

Off-axis tone

How naturally does spill sound when it enters from the side or rear?

04

Frequency

Does the published polar response remain consistent across relevant frequencies?

05

Technique

Can the user stay within the narrower useful pickup area?

Application notes

Context changes the answer.

Cardioid

Broad front acceptance with strongest nominal rejection at the rear; often practical for handheld speech and a monitor directly behind.

Supercardioid

Narrower front coverage with a small rear lobe; monitor placement normally moves away from directly behind.

Hypercardioid

Narrower still with a more significant rear pickup region; useful only when source and loudspeaker geometry support it.

The common mistake

Putting every monitor directly behind every directional microphone

That geometry suits the nominal null of cardioid patterns, but supercardioid and hypercardioid patterns have rear lobes and different maximum-rejection angles.

Operational checklist

Brief. Test. Document.

01 / Confirm the exact model and selected pattern
02 / Read polar plots at multiple frequencies
03 / Mark the microphone's front
04 / Place monitors around actual rejection angles
05 / Test performer movement
06 / Listen to off-axis spill, not level alone

Technical sources

Primary references.

These sources support the technical principles. They do not imply endorsement, inventory ownership or a universal equipment recommendation.

Shure: directionality and polar-pattern basicsShure: live-sound microphone techniques

The PROVANTAGE position

A better brief produces a more dependable system.

We select, place and operate production technology around the room, programme, people and consequences of failure.

Plan the technical brief

Audio cable questions

USEFUL
ANSWERS.

Short answers to common event-technical-production questions.

01What is a microphone polar pattern?+

It is a representation of microphone sensitivity around the capsule at specified frequencies and conditions.

02What is the main difference between cardioid and supercardioid?+

Supercardioid usually has narrower front acceptance and stronger side rejection, but introduces a rear pickup lobe and different monitor-placement geometry.

03Is hypercardioid always better for noisy stages?+

No. Its narrower acceptance can help in suitable geometry, but rear pickup, off-axis tone and performer technique may make another pattern more useful.

04Do polar patterns stay identical at every frequency?+

No. Published plots often show that directivity changes with frequency, so a single outline is only a summary.

05Where should a monitor be placed?+

Place it near the actual rejection angle of the specific microphone and pattern, then confirm the result with the complete stage system active.

Apply the guidance

TURN KNOWLEDGE INTO A PRODUCTION PLAN.

If you already have a venue, programme or technical question, bring it to the production team.

Plan an event →+91 808 00 00 808